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Halloween Photos -
Part 2
The Roving
Photographer Stays Home
In part 1
of this Halloween photos story, I
reviewed techniques for making great pumpkin photos. In this
second part, I will recall my attempts at capturing surprised
expressions and Halloween costumes
by photographing unsuspecting trick-or-treaters.
The Setup
Over the years, my wife and I have
increasingly indulged our Halloween spirit. We build ordinary Halloween
paraphernalia into a tableau that delivers a tremorous experience for
the neighborhood imps and goblins - at least for those that haven't
progressed too far into their acne years.
Some effects have come and gone - ghosts hanging from the trees, or
spider webbing around the door.
But, certain things have been consistent - pumpkin lights on the hedge
cast their orange glow on the leaves covering the walk; eerie music of
moans and chains and screams fills the air as the young devils
approach; one or two pumpkins provide a hint of light near
the black front door (see left).
It is when I open the door in response to their knocks that the mood is
sealed. I haven't oiled the front door hinges - not ever! When I
open the door, I hide behind it, swinging it ever so slowly, evoking
every bit of squeak and creak I can muster. And here is what the
little devils see...

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Minolta Dimage 7Hi, 18-200mm @ 73mm,
ISO 200,
1/10s,
f/3.5
A green electric skull
enshrouded in fog and a white shirt lit by "black" light create a
colorful monster to surprise the trick-or-treaters.
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Behind the
Scenes
This setup has been working well for some time.
This year(2008), I
wanted to take pictures of the kids faces as they encountered my
monster.
Let me show you what I tried to do.
- As seen from the open door, I built a backdrop from
black
plastic tablecloths. You can see the flash mounted on my hidden
camera -
the
small white rectangle over the ghoul's right shoulder.
- From the side, you see that I covered the wall
mirror (behind
the pumpkin) with another black tablecloth. You can also see the
flash
that I mounted high on a light stand.
With the inside lights turned off, the black door, black backdrop, and
black cover over the mirror, kept the inside dark and the focus on the
ghoul
when the door opened (with me hiding behind the door).
A.
From the trick-or-treaters' angle
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B.
As seen from the side |

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C.
The setup from behind
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D.
What the camera sees
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- From
behind the backdrop, you can see the lightstands holding the
tablecloths and high flash, as well as the camera on tripod to the left
of the middle light stand (it is hard to see because it's a black
camera against black backdrop).
- And,
here is the view from the camera (the colored paper covers a glass
sidelight so no one
gets a peek until the door opens). Note how the camera is
looking
out the door from the side. This turned out to be a real
problem because many trick-or-treaters stand back from the doorway.
So, this was pretty cool!
Not perfect, as you'll see shortly, but a good starting
point for future years.
The Results
Here are some of the Halloween photos from this setup:

Nice smiles, don't you think!
Notice that trick-or-treaters
on the left got cut off by the door jamb,
And the brick shows in the background. If I aligned the
camera directly opposite the door,then empty space would be behind the
tricksters, and that give a mostly blakc background.
I've got to work on the
camera angle next year.
The Halloween
Photos I Really Wanted
You may have
noticed that each of the tricksters above (or were they treaters) were
wearing masks. Shortly into the night, I realized that I wouldn't
be able to post pictures of any of any kids without masks on Improve Your Digital Photograhy. I
had made no provisions for getting parental approval for using their
images.

Still, I wanted to post at least
one "mask-less" photo, so you could see why I wanted to do this project
in the fist place. I've taken a lesson from the tabloids and
added my own mask, leaving just enough of the face for you to get the
idea.
Exposure Notes
I
used manual exposure with flash for all the photos.
1/60s, f/22, ISO 400.
For the flash,
I used Nikon's CLS (creative lighting system) with the on-camera flash
as commander for the remote flash. |
My Lessons for
Taking Halloween Photos
I learned a lot
doing this - and that was the main
success. But, I've got to say that I have a little further to go
to
achieve my desired result: Halloween photos that capture publishable
looks of surprise on
my
visitors' faces.
Here are the
lessons
-
Better photo angle.
Trick-or-treaters come in groups, and not all come up to the
door. The camera needs to be aimed straight at the doorway to
capture as many visitors as possible. Otherwise, the door frame
hides some of them and I get a brick background.
- Get permission to
use photographs. The goal was to get surprised
expressions. After all my setup, I realized that I wouldn't be
able to use the photographs without permission, but I had no way to ask
permission. Next time, I will need to include a small card with
the candy, offering copies of the photographs in exchange for
permission to use them.
Well, I think that
is enough of yellow and orange and black and other
ghastly
colors, for now...
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